Glossary |
| a cappella
(adj.) without instrumental accompaniment accompaniment (n.) a vocal or instrument part that supports or is background for a solo part acoustic (adj.) referring to a musical instrument, often a stringed instrument, that is not electronically amplified alloy (n.) a substance which is a mixture, as by fusion, of two or more substances (most often metals) amateur (n.) a nonprofessional; one who engages in an activity for pleasure rather than money ambition (n.) the drive to succeed amplification (n.) in music, the process of making a sound louder, larger and/or stronger amplified (adj.) made louder, often by electronic means anesthetic (n.) a substance that causes loss of sensation, with or without loss of consciousness arrange (v.) to write an adaptation of a musical composition, assigning different notes and phrases to different instruments or voices arrangement (n.) an adaptation of a composition artifact (n.) an object of historical interest produced or shaped by human craft ballad (n.) a song that tells a story in short stanzas, usually with a refrain; a romantic or sentimental song banjo (n.) a four- or five-stringed musical instrument having a long neck and circular body topped by a tightly stretched skin or skin-like substance; usually plucked with the fingers baritone (n.) the vocal range of a male voice between tenor and bass bask (v.) take great pleasure or satisfaction beat (n.) 1) a unit of musical rhythm (e.g., four beats to a measure); 2) the accented or stressed note in the rhythm of a musical piece blues (n.) a form of African-American folk music characterized by minor harmonies, (usually) a slow tempo and melancholy words boogie beat (n.) a syncopated style of playing 4/4 time, associated with early rock music bouzouki (n.) a stringed instrument of Greece, somewhat like a mandolin bow (n.) a thin stick strung lengthwise with horsehair or a similar substance and drawn across the strings of an instrument (e.g., fiddle, bass) brass instrument (n.) an instrument in the wind instrument family, made of coiled metal tubes and usually having a cup-shaped mouthpiece (e.g., trumpet, cornet, trombone, tuba, etc.) break (n.) see solo brother duet (n.) a duet formed of two brothers; a popular singing format in the early to mid-1900s buffoon (n.) a ludicrous or bumbling person; a fool callus (n.) a hardened and/or thickened area of skin camp meeting (n.) a religious gathering held outdoors or in a tent and usually lasting several days campaign (n.) a series of military operations undertaken to achieve a large-scale objective during a war Caucasian (adj.) a major human racial classification traditionally describing people with light skin and straight, wavy, or curly hair centrifuge (n.) a piece of medical equipment that contains a spinning compartment used to separate materials or particles chop chord (n.) a chord, made by a very quick and strong stroke with a pick, which is stopped almost immediately by a damping of the strings, the musical effect of which is to turn the chord into a more percussive sound, similar to a drum beat chops (n.) [slang] a reference to musical skill; more specifically it can refer to ones dexterity, speed, technique, etc. in playing chord (n.) a combination of three or more tones sounded together in harmony chorus (n.) a musical phrase or set of phrases (accompanied by lyrics) repeated at intervals in a song, most often after each verse; the name comes from the fact that this section of a song is usually sung by an entire singing group (also called a chorus) versus just a soloist; also called a refrain classic (adj.) traditional or typical of a particular style clawhammer (n.) an old-time style of playing the five-string banjo; in this style, the strumming hand is positioned with thumb and fingers a little bit separate and stiff to strike the strings with a claw-like, hammering downward stroke; also called frailing close harmony (n.) harmony in which the tones played or sung are very close to each other in pitch composer (n.) one who creates (or composes) a musical work composition (n.) a musical creation or work cornet (n.) a brass musical instrument similar to a trumpet but more compact, with a longer tube and deeper mouthpiece damp (v.) to check or stop the vibration of an instruments strings debut (n.) a first appearance before the public demo (n.) a recording that shows the abilities of a singer, musician, or band demoralize (v.) to weaken the confidence or morale of; dishearten dissonance (n.) a lack of harmony; a chord that sounds incomplete or unharmonious until resolved (changed into) a harmonious chord Dixieland (n.) a style of small-band, improvised jazz music which uses fast ragtime tempos and a strict beat, and is associated with early white New Orleans musicians dobro (n.) an acoustic steel guitar with an aluminum resonator, usually played while held flat in ones lap; named for its inventors, the Dopyera Brothers double courses (n.) strings strung in pairs on an instrument (e.g., the mandolin) downbeat (n.) in music, the accented first or third beat in a measure; most often, it refers to the first beat of a measure; onbeat Dreadnought (n.) a type of guitar often used in bluegrass due to its large body and deep, large-volumed sound; named for a type of British battleship duet (n.) a piece for two voices or two instruments; the performers of such a piece East Bloc (n.) a group of Eastern European countries which lived under the influence of the former Soviet Union until the late 1980s ensemble (n.) in music, a group of musicians playing or singing together; the instruments of such a group evolution (n.) the process of development via gradual change fiddle (n.) a small, long-necked, four-stringed wooden instrument played with a bow; the smallest and highest-toned instrument in the violin family, often referred to simply as a violin fill (n.) a quick little melody line that intertwines with the main melody in a piece of music; similar to a lick fingerboard (n.) a strip of hardwood (often ebony) fixed to the neck of a stringed instrument, against which a musicians fingers press strings to create different tones finger pick (n.) a metal or plastic pick, fastened to the thumb and fingers, and used to pluck or strum the strings of an instrument (e.g., the banjo) 4/4 time (n.) the grouping of musical notes into measures of four beats each within a piece; musical time based on a 4/4 time signature flat pick (n.) a single metal or plastic flat pick, placed between the thumb and first finger, and used to pluck or strum the strings of a musical instrument (e.g., the mandolin) frailing (n.) see clawhammer fret (n.) one of several ridged bands (often metal), which are fixed across a stringed instruments fingerboard to regulate the musicians fingering friction (n.) the resistance to motion created when two things rub against each other genre (n.) a category or type of artistic composition (e.g., mystery is a genre of books; rock and roll is a genre of music) gig (n.) a job performing music gospel (n.) evangelistic religious music which evolved from spirituals and the music of African-American Protestant churches in the South; characterized by close-harmony singing Grammy (n.) any of the awards given annually by the National Academy of Recording Arts and Sciences for special achievement in the recording industry Grand Ole Opry (n.) a famous weekly live radio program, broadcast from Nashville radio station WSM, which has played an important role in the history of country and bluegrass music; the name refers to opera and contrasted the highbrow classical music of the day with the rustic old-time fiddle and string band music featured on the show groove (n.) a melody or rhythm that, through repetition, makes up the supporting structure of a piece of popular music guitar (n.) a musical instrument related to the lute but having a flat back and (usually) six strings that are plucked or strummed with the fingers or a pick harmony (n.) the sounding of two or more tones simultaneously making a pleasing sound harmony singing (n.) two or more singers who sing in harmony hayseed (n.) a bumpkin; a yokel head (n.) the round face of a banjo or drum, which is covered in a stretched skin (or plastic) that can be tightened in place by screws placed all around the edges of the head high lonesome (adj.) music characterized by high tenor parts, minor harmonies and a melancholy feel; describes the classic bluegrass sound, as created by Bill Monroe and the Blue Grass Boys homeschool (v.) to provide educational instruction outside of established schools at home hot lick (n.) a lick, or quick melodic phrase, played to show off and dazzle with its technical difficulty house (n.) a facility, such as a theater or restaurant, that provides entertainment or food for the public hybrid (n.) something of mixed composition impressionist (adj.) a painter who practices impressionism; a painter whos goal is to show the changing effects of light by applying paint in short strokes improvisation (n.) the act of improvising; something that has been improvised; something invented or composed without preparation improvise (v.) to simultaneously compose and perform on the spur of the moment and without any preparation; in music, improvising often results in a variation on a basic melody or tune indigenous (adj.) originating and growing in an area instrumentalist (n.) one who plays and performs on a musical instrument jam (v.) to get together informally with other musicians to play improvised (unrehearsed) music jam session (n.) an informal music session, often involving players who do not regularly play together, such as those meeting at a party or festival jazz (n.) a style of music, characterized by syncopation, rubato, heavily accented rhythms, dissonance, melodic variation, and unusual tonal effects on brass and reed wind instruments; musical style originating in the 19th century with African-Americans in the South Jimmie Rodgers (n.) considered by many to be the father of country music, Rodgers was one of the first country music solo acts to gain stardom in the early 20th century; early in life, Rodgers worked as a brakeman on the railroad, thus gaining the name the Singing Brakeman when he began his singing career; Rodgers was also known as the Mississippi Blue Yodeler due to his unusual incorporation of yodeling into his music; an adaptation of Rodgers song, Muleskinner Blues, became one of Bill Monroes first big bluegrass hits key (n.) a system of related notes or tones named after a particular note (e.g., the key of A) and forming a particular scale lead (n.) the leading part or main melody within a musical composition; the instrument which plays this part lick (n.) a melodic phrase, often quick, improvised and inserted between two longer musical phrases; usually associated with blues and jazz music lyrics (n.) the words that make up a song major (adj.) in music, referring to tonal patterns and chords in which the intervals between tones are a halftone larger than minor intervals; associated with music that sounds happy and celebratory mandolin (n.) a small musical instrument of the lute family with four to six pairs of strings stretched over a deep, rounded sound box measure (n.) the notes and rests contained between two vertical lines (bars) on a musical staff; the number of beats per measure is determined by the time signature melody (n.) a pleasing arrangement of sounds in sequence mentor (n.) a teacher or coach migrate (v.) to move from one place to another minor (adj.) in music, referring to tonal patterns and chords in which the intervals between tones are a halftone smaller than major intervals; associated with music that sounds melancholy or sad minstrel (adj.) having to do with a comic variety show presented by performers who sing, play instruments, and tell jokes; traditionally presented by performers in blackface note (n.) 1) a tone of specific pitch, as made by a musical instrument; 2) a symbol for a tone of particular duration, whose place on the musical staff determines its pitch offbeat (n.) in music, any of the beats of a measure that traditionally have weak, or secondary, accents; in bluegrass and jazz, the musics rhythm is often varied by placing strong accents on the offbeats; also see upbeat onbeat (n.) see downbeat old-time music (n.) a style of music developed primarily in the Southern Appalachians, with roots in Celtic (Ireland/Scotland) folk music brought to the area by early settlers; old-time music is considered the precursor and a main influence in the development of bluegrass and country music parlor (n.) see parlor instrument parlor instrument (n.) an instrument originally designed to be played by amateurs at home in their living rooms, or parlors; these instruments were quieter than their successors, which were designed to be loud and resonant so as to cut through noisy concert hall performance conditions percussive (adj.) similar to the sound of a drum, with a short rapping or tapping sound pick (n.) a small, pointed piece of metal or plastic, used to pluck or strum the strings of a musical instrument picker (n.) a musician who plays bluegrass music, especially one with musical talent or prowess; though the term refers to the fact that most bluegrass instruments (e.g., mandolin, guitar, dobro, banjo) are played with a pick, even fiddlers and bass players are called this pitch (n.) the element of a tone or sound determined by the frequency of sound wave vibrations reaching the ear; the greater the frequency, the higher the pitch phrase (n.) a relatively short portion of a melodic line which expresses a musical idea, comparable to a line or sentence in poetry plectrum (n.) a small instrument of ivory, wood, metal, or quill, used in playing many stringed instruments (e.g., banjo, mandolin, guitar); also called a pick plectrum banjo (n.) a banjo played with a pick pluck (v.) to pull and quickly release the strings of a musical instrument, creating brief, often percussive, musical tones progressive (adj.) having to do with the latest developments in something protagonist (n.) the main character in a literary work prowess (n.) superior ability or skill quartet (n.) a piece for four voices or four instruments; the performers of such a piece rag (n.) a ragtime musical composition ragtime (n.) a style of music popular from 18901920 and characterized by syncopation, improvisation (on occasion) and even time; a musical style influential in the development of jazz reed instrument (n.) an instrument in the wind instrument family which has a reed attached to its mouthpiece (e.g., clarinet, oboe, bassoon, saxophone); when vibrated by the breath, the reed produces a musical tone refrain (n.) a musical phrase or set of phrases (accompanied by lyrics) repeated at intervals in a song, most often after each verse; also called a chorus regime (n.) a particular government or administration repertoire (n.) in musical terms, all of the musical pieces written by a certain composer or created within a certain genre or category resonator (n.) a device which produces and/or increases the intensity (resonance) and volume of sound coming from an instrument rest (n.) in music, a measured interval of silence between two notes rhythm (n.) the term which denotes the organization of sound in time; the temporal quality of sound rockabilly (n.) an early form of rock-and-roll with a strong country music influence rock-and-roll (n.) a musical style which evolved in the 1950s from rhythm and blues, characterized by the use of electric guitars, strong syncopated rhythms and youth-oriented lyrics rookie (n.) a novice or inexperienced recruit rosin (n.) a hard, brittle, sticky resin, rubbed on a bow to prevent it slipping on an instruments strings rubato (n.) the modification of a melody by randomly lengthening some notes and shortening others; deviation from a strict tempo; also called stolen time run (n.) in music, a rapid succession of tones; also called a lick scale (n.) a series of tones, in order of rising or falling pitches, in accordance with a specific pattern of musical intervals (distance between pitches) set (n.) musical pieces played in direct succession in a performance slack-key (n.) a style of guitar playing, developed in Hawaii, which uses a slide along the fingerboard to create different tones and a type of string tuning that makes some strings slack against the fingerboard slap (v.) in music, to bring ones hand down on an instruments strings after plucking them, so that the sound of the string hitting the fingerboard creates an extra rhythmic sound slide (n.) 1) a smooth progression of tones, created by pressing a string on a fretless instruments fingerboard, then sliding ones fingers along the fingerboard (rather than picking them up and placing them again) to create different tones; 2) a metal bar which is slid along a stringed instruments fingerboard, in the process pressing down strings to create different tones (used most often on the dobro, but also on the guitar) sociologist (n.) one who studies human social behavior, especially the study of the organization, institutions, and development of human society solo (n.) a musical piece to be played or sung by one person sound-check (n.) a task before a performance during which the performer goes on stage to test the sound equipment to ensure that the sound levels (volume, bass, treble, etc.) are set correctly stacking (n.) the manner in which three or more singers layer the harmony and melody parts in a song; different bluegrass bands became famous for different approaches to stacking their harmonies on songs; for example, the Blue Grass Boys always had the melody as the middle voice (with a tenor harmony above, and a baritone one below), while the Osborne Brothers had the melody as the highest voice staff (n.) in music, the horizontal lines on and between which notes are written; the placement of a note on the staff indicates its pitch stand-up bass (n.) the largest and deepest-tone instrument of the violin family, plucked or played with a bow; also called a double bass stanza (n.) a group of lines of verse forming one section of a song, usually containing a regular pattern of rhythm and rhyme string band (n.) a band of stringed instruments, usually including guitar, banjo and fiddle, which plays folk and/or country music stringed instrument (n.) any of a family of musical instruments, often made of wood, in which the tones are produced by vibrating strings (e.g., fiddle, banjo, mandolin, guitar, bass and dobro) sustain (v.) to prolong or extend syncopated (n.) having syncopation, or accents shifted from their normal locations in a musical and/or rhythmic piece syncopation (n.) music or rhythm in which the accent is shifted from the usual placemost often the first beatto an offbeat tempo (n.) the speed at which a musical composition is performed tenor (n.) a range of musical tones (usually from an octave below middle C to an octave above) between alto and bass in four-part harmony; the second to lowest part in four-part harmony tenor banjo (n.) a banjo with a tenor range time (n.) 1) the grouping of rhythmic beats into measures of equal length; 2) a musical pieces characteristic rhythm, as determined by the time signature time signature (n.) a sign consisting of one number over another, indicating the number of beats in the following measure(s) and the unit of measurement (a note of 1 beat duration, 2 beat duration, etc.) tone (n.) a sound that is distinct and identifiable by its constant pitch (equaling a regularity of sound wave vibration), as opposed to just noise tone ring (n.) the metal ring found on the inside of a banjo, between the head and the rim, that enhances the banjos volume and sound by amplifying and extending the length of the sound vibrations; not found on early banjos transcribe (v.) to arrange or adapt music for a particular instrument transcription (adj.) relating to arranging or adapting music for a particular instrument trio (n.) a piece for three voices or three instruments; the performers of such a piece tune (v.) to adjust a musical instrument to a certain standard or pattern of pitches; on stringed instruments, to tighten or loosen the strings so as to create different patterns of pitches tune (n.) a series of tones forming a rhythmic piece; melody upbeat (n.) in music, the weak or unaccented beats within a measure; most often, it refers to the second or fourth beats of a measure; offbeat urban folk revival (n.) a period, ranging from the late 1950s to the mid-1960s, in which traditional folk music (ranging from Elizabethan ballads to Appalachian fiddle tunes and bluegrass) gained a renewed popularity in urban regions and on college campuses urbane (adj.) polite; refined; often elegant in manner vaudeville (n.) the branch of entertainment consisting of stage shows including comic skits, songs (some satirical), dances, acrobatics, pantomime and other theatrical endeavors verse (n.) a group of lines (or stanza) forming one of the divisions of a song, usually followed by the refrain virtuoso (n.) in music, a person demonstrating great skill in musical performance vocalist (n.) one who sings; a singer vocals (n.) the part of a song that is sung rather than played on instruments waltz (n.) a musical style characterized by a moderately-paced 3/4 time with accented first beats in each measure; a type of ballroom dance western swing (n.) a style of music, first developed in the 1920s, incorporating jazz, blues and old-time mountain music, and characterized by the use of large bands, fast tempos and written ensemble arrangements wind instrument (n.) an instrument whose player creates a musical tone by blowing into the instruments mouthpiece; variation in breath current changes the pitch of the tone yodeling (n.) a singing style in which the singer abruptly alternates between a normal chest voice and falsetto; originally popular among the mountain people of Switzerland and Austria, yodeling was integrated into American country music by such famous singers as Jimmie Rodgers |